Max Payne's home has usually been on the PC. The original 2001 game and its sequel debuted on the PC, and though they received console versions--some of which captured the excellence of their PC counterparts and some of which didn't--it was on PC that he first made his mark. Times have changed for Max, and his latest outing hit consoles first and PC second, which may raise concerns about whether, this time around, it's the PC version that feels secondary and the console versions that feel definitive. As it turns out, such concerns are unfounded. Max Payne 3 is just as gorgeous and intense on PC as it is on consoles, and the pinpoint precision offered by a mouse makes the PC version the best way to enjoy this brutal and haunting shooter.
Max Payne 3 has far more sunlight and color which is cool than earlier Max Payne games, this could be great for those all time gamers, but the menaces Max faces here are at least as dark as those he's faced before. The locales Max has to gun his way into or out of are alive with authenticity and detail. Nightclubs throb with dance music and light shows; children play soccer in the favelas; run-down hotels are packed with leftover junk from their earlier days of luxury. And it's not all tropical locations and bad Hawaiian shirts for Max Payne here; a few great flashbacks that take place in Hoboken, New Jersey, reflect the snowy weather and urban atmosphere of earlier Max Payne games, as well as Max's previous fashion sensibilities, and connect his new life with his old one.
Max hasn't lost his ability to blow bad guys away by the hundreds, but in Max Payne 3, reflecting modern sensibilities and perhaps his own age, he takes things slower and makes judicious use of a new cover mechanic. Yet the addition of this currently common element doesn't mean that Max Payne 3 feels like every other third-person shooter. Far from it. The game is differentiated from its contemporaries by several qualities, not least of which is its unflinching violence. Bullets visibly tear through bodies, leaving holes that spurt blood as your enemies die. Each encounter with a group of enemies ends with a bullet cam, showing your final, fatal bullet soaring through the air and striking its target in grisly detail, and giving you the option to pump excessive, unnecessary ordnance into the poor bastard. It's a cathartic and satisfying way to end each firefight.
Bullet time, the defining mechanic of the Max Payne series, lends gunplay a cinematic intensity that remains exhilarating from the start of the substantial campaign until its finish some 12 hours or so later. When bullet time is enabled, you can see every pellet that bursts forth from a shotgun, every bullet that whizzes past your head. Windows break apart beautifully; concrete shatters to reveal the rebar underneath; and all other sorts of believable destruction to the world around you takes place as you and your enemies try to gun each other down.
Max Payne 3 has far more sunlight and color which is cool than earlier Max Payne games, this could be great for those all time gamers, but the menaces Max faces here are at least as dark as those he's faced before. The locales Max has to gun his way into or out of are alive with authenticity and detail. Nightclubs throb with dance music and light shows; children play soccer in the favelas; run-down hotels are packed with leftover junk from their earlier days of luxury. And it's not all tropical locations and bad Hawaiian shirts for Max Payne here; a few great flashbacks that take place in Hoboken, New Jersey, reflect the snowy weather and urban atmosphere of earlier Max Payne games, as well as Max's previous fashion sensibilities, and connect his new life with his old one.
Max hasn't lost his ability to blow bad guys away by the hundreds, but in Max Payne 3, reflecting modern sensibilities and perhaps his own age, he takes things slower and makes judicious use of a new cover mechanic. Yet the addition of this currently common element doesn't mean that Max Payne 3 feels like every other third-person shooter. Far from it. The game is differentiated from its contemporaries by several qualities, not least of which is its unflinching violence. Bullets visibly tear through bodies, leaving holes that spurt blood as your enemies die. Each encounter with a group of enemies ends with a bullet cam, showing your final, fatal bullet soaring through the air and striking its target in grisly detail, and giving you the option to pump excessive, unnecessary ordnance into the poor bastard. It's a cathartic and satisfying way to end each firefight.
Bullet time, the defining mechanic of the Max Payne series, lends gunplay a cinematic intensity that remains exhilarating from the start of the substantial campaign until its finish some 12 hours or so later. When bullet time is enabled, you can see every pellet that bursts forth from a shotgun, every bullet that whizzes past your head. Windows break apart beautifully; concrete shatters to reveal the rebar underneath; and all other sorts of believable destruction to the world around you takes place as you and your enemies try to gun each other down.
No comments:
Post a Comment